Sexus by Henry Miller, part of his semi-autobiographical trilogy The Rosy Crucifixion (Sexus, Plexus, and Nexus). This trilogy, like [[Tropic of Cancer (novel)|Tropic of Cancer]], delves deeply into themes of sexuality, artistic struggle, and existential longing.
In Martin Scorsese’s 1991 remake of Cape Fear, Max Cady (Robert De Niro) uses these works to manipulate and influence Danielle Bowden (Juliette Lewis). His references to sexually charged literature like Tropic of Cancer and Sexus underscore his menacing intellect and predatory behavior. The books aren’t just plot devices but symbols of Cady’s distorted worldview—one that revels in subverting societal norms and using them as tools for psychological control.
About Sexus:
• Themes: Sexus explores Miller’s tumultuous relationships, including his obsession with June (based on his real-life second wife), and his struggles with finding artistic purpose.
• Literary Significance: Like Tropic of Cancer, it was celebrated for its raw prose and boundary-pushing portrayal of sexuality. However, it also faced censorship and legal challenges.
• Cultural Impact: Sexus is often viewed as a continuation of Miller’s mission to expose the human condition in its most visceral form, challenging readers to confront their own hypocrisies around love, sex, and identity.
The inclusion of these works in Cape Fear heightens the tension, as Cady’s understanding of literature reflects his dangerous, manipulative nature. It also serves as a reminder of the thin line between intellectualism and immorality when wielded by a deeply flawed individual.